A man with dark hair and a thin mustache stands left. He is wearing a tuxedo shirt and trousers, with his bow tie hanging around his neck. His left hand stretches out toward a woman in a formal blue sleeveless dress; her hand is also stretched toward his. Purple drapes hang behind them, with a collection of potted plants scattered around the stage

“Extraordinary,” muses Amanda, the heroine of Noël Coward’s Private Lives, “how potent cheap music is.” Her rueful observation, uttered while she is standing on the terrace of a hotel where […]

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