A woman in a pink gown with a large feathered collar sits next to a vanity with a mirror. She has an angry expression on her face. One hand is balled into a fist and the other is pointing to the person next to her on the right, who is a man disguised as a nun, clutching a set of black rosary beads in his hands.

Deeply committed Verdi fans ought to get themselves to Lyric Opera’s first ever production of Don Carlos, the four-hour, five-act, 1867 French language version of the shorter Verdi opera they […]

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