On the white gallery wall hang two Matisse-inspired abstract paintings by Cody Hudson and one colorful painting by Richard Colman, depicting a maroon figure in the center, surrounded by shapes and geometric heads.

Contemporary painting is vast terrain. Its broad, shimmering beauty and stylistic scope eludes easy classification. In spite of digital reproduction’s awesome omnipresence and the mobile Internet’s unrestrained reach, a comprehensive view will forever exceed our vision. While we can’t see or speak of linear movements, we can still witness formal affinities and visit thematic encampments. […]

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