Jonathan Michie, a white man with short light hair, sits left. He is wearing a red silk dressing gown and biting into an apple. On the right is a table filled with glass flasks, rubber tubing, and other lab equipment.

After a promising Chicago workshop performance four years ago, Chicago Opera Theater’s The Life and Death(s) of Alan Turing returned for a two-performance world premiere at the Harris Theater last week, conducted by COT music director Lidiya Yankovskaya. It’s a gut-wrenching piece in a well-crafted production, with two major themes that couldn’t be more contemporary: […]

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