Photo shows the video screen in the gallery, which is dark. On the screen, two metal double doors are opened to reveal an empty industrial slaughterhouse with blood on the floor.

Aria Dean wants you in the hot seat—or cold storage. Her intentions aren’t subtle: you enter her exhibition at the Renaissance Society through aluminum double doors with rubber-trimmed circular windows and step onto a field of black industrial rubber flooring blanketed in nonslip nubbins. Natural light is restricted by a low, hulking perimeter wall, and […]

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